No More Invisible Marias: A Decolonial Interpretation of Luísa Semedo’s “Eu empresto-te a Mariá” (2020) and Manuella Bezerra de Melo’s Um Fado Atlântico (2022). ex æquo [Internet]. 2023 Jan. 1 [cited 2025 Dec. 18];47(47). Available from: https://exaequo-ojs.apem-estudos.org/exaequo/article/view/627